While many artists are deviating from well-trodden paths in search of conceptually new images and approaches, Lea Laboy impresses with her respect for tradition and a careful balance of classics and creativity. The artist calls herself an academic oil painter, which reflects her interests in both artistic practice and art theory and research. Here is a closer acquaintance with Lea Laboy’s auteur artistic method and work.
About Lea Laboy
Lea Laboy’s painting style is a unique fusion of contemporary impressionism, minimalism, and conceptualism. Laboy is a member of the British Painters Club and the prestigious Aristotelian Society, which was founded in London in 1880. She is also the author of a series of art books, including “Dissertation on the color blue” in the field of painting and “Peregrinatio” in the field of architecture, and co-author of the academic publication in art history, “Discourse on French painting 1610-1789.” Her works have been featured in many art journals, such as Leisure Painter and Artists & Illustrators.
Besides painting, Lea Laboy creates miniature books, artistic fabrics, ex libris, traditional postage stamps, and other items related to artistic activity. She also actively participates in various art events in the USA, Europe, and other regions, presenting works that push the frontiers of art research and practice forward.
Lea Laboy’s Unique Visual Language and Techniques
Lea Laboy has created her own paint formula, which allows her to craft heavily pigmented paints for a more impressive visual effect. Her works are a refined outcome of a meticulous search for color and the right shade. As Laboy shared in one of her interviews, she may spend hours, weeks, or even months creating specific artwork. The artist prefers to stick to an ascetic color palette to resemble the natural colors of the depicted objects. She never uses black in her color palette and works on the removal of white as much as possible.
As an academic oil painter, Laboy dedicates lots of attention to the fundamentals of classical painting traditions. She starts every project with careful consideration of composition and relies on the golden ratio to make her images balanced. Inspired by Jacques Blockx’s 1926 book “A Compendium of Painting,” Laboy works on cardboard, following the recommendations of 19th-century painters.
Signature Paintings
Lea Laboy’s oil paintings are easily recognizable because of the artist’s signature minimalist style and skilled use of color. Among her best-known works are “Field Violet,” “Persia,” “Red Clover,” and “Stradivarius.” They have been exhibited at a large number of exhibitions and shows across the world.