Platform 101, a leader in glitch art development, is back at The Wrong Biennale after a short pause. In 2023/24, the non-profit institution participated in The Wrong with an exhibition titled “Glitch in the Sacred Geometry”; this year, it returns with “Pattern of Infinity,” a new exhibition curated by Arezou Ramezani.
About The Wrong Biennale
The Wrong Biennale is a non-traditional art event; its organizers advocate a departure from the traditional view in favor of self-positioning as a decentralized, networked ecosystem. The Wrong’s founder is David Quiles Guilló, whose idea to create a global open platform of digital art took shape in 2013. Since that moment, The Wrong has grown into an art happening of international significance, welcoming art experimenters and innovators to collaborate and embrace next-gen creativity.
The 2025/26 edition of The Wrong is the 7th in the event’s lineup, titled “The Wrong Returns.” This time, the international art community of over 2,300 artists has come together to explore the artistic dimensions of AI. Online pavilions and offline exhibition sites are available for viewing through March 31, 2026.
Platform 101’s “Pattern of Infinity” Pavilion
As an international organization focused on the advancement of glitch art development, Platform 101 is deeply committed to research, talent support, and glitch/digital art promotion in the global scene. Its “Patterns of Infinity” pavilion at The Wrong 2025/26 reflects this long-standing dedication and offers a digitally inspired creative exploration of the dynamics of the nature-human relationship change. While the participating artists give credit to technological advancements and employ tech in creative processes, the core idea behind the display is human agency in art.
The artist lineup in the “Patterns of Infinity” exhibition includes Sara Yarandpour, Arezou Ramezani, Arash Masoom, Amir Mazhari, Nastaran Darabi, Reza Famori, Bahar Mohammadi Manesh, Mohammad Ali Famori, Naghme Jahani, Narges Astaraki, Arya Mehr, and Tata Sherafat. Each artist contributes their unique vision of the interconnected rhythms of the universe, with the transformation of natural elements into cosmic architectures. The exhibition is created using a blend of artistic techniques and video art, generative coding tools, and subtle AI integrations, leaving the human artist in charge of the key creative output. This way, the conceptual foundation of “Pattern of Infinity” is traceable in the nuances of Platform 101’s glitch-fractal knowledge, applied to natural patterns to amplify and diversify the sensory experience of art.